Pat St. Clair, professional photographer and editor for online magazine VRMag, specialized in panorama and virtual reality, carried out a review of Autopano Pro. In a detailled article, he describes how he worked with Autopano Pro and gives examples of panoramas stitched with the program.

Looking over many features of Autopano Pro, Pat St. Clair shows how to create a panorama with the program. He highlights some interesting aspects of the software: ability to drag and drop photos on the program window and order the images automatically, working with RAW images, the vertical lines correction, the Smartblend ghost remover, the ability to shoot hand held with confidence, etc.

He also used Cubic Converter to create virtual tours with spherical panoramas stitched with Autopano Pro.

Read the entire review

As we announced it a few weeks ago, we dedicate today an article to the new book of French photographer Bertrand Bodin: “Vauban, les sites majeurs”. This book comes after a first one released last year: “Briançon, Vauban et son empreinte”.

Vauban (1633-1707) was the most important military engineer of his age. He designed new types of fortifications and advised Louis XIV on how to make France’s borders safer and more defensible. Find out more about Vauban on Wikipedia.

This book has been ordered by the Vauban association, to support the candidature of the 14 major Vauban works to be listed as Unesco World Heritage sites. Bertrand Bodin had to work quickly: “It was an urgent order, since I only had 6 month to seal the project, including the publishing. If you consider that the 14 sites to be shot are located everywhere on the French territory, you can better estimate the challenge this project represented!” told Bertrand Bodin to journalist Nicolas Mériau (Image & Nature magazine n°13).

From a technical point of view, Bertrand Bodin used a Canon EOS-1Ds Mark II with a 16 million pixels sensor and a wide-angle lenses, like the EF 15mm f/2.8 fisheye. Many photos of the book are stitched images. The photographer used the program Autopano Pro to stitch the images: “This program is by far better than the others. I have been working for a long time with Stitcher and PTGui and I could make the difference. One of Autopano Pro’s strengths is to be able to create panoramic images from photos shot with different focal distances: a 15mm with a 24mm, a 20mm with a 35mm, etc. What’s more, it corrects very well fisheye distortions. And, despite its advanced functionalities, it remains very easy to use”.

To find out more about Bertrand Bodin, you can visit his website.

Image & Nature magazine has just dedicated a test to Autopano Pro in its 13th issue. This test is interesting because it quotes several arguments of Autopano Pro and tests them one after the other.

The 5 tested arguments are: ease of use, automatic detection of photos belonging to a same panorama, automatic correction of color and exposure differences, stitching of images having different focal distances, and stitching of images shot every which way.

Each argument was tested and positively validated by the magazine editors! Phew!

Image & Nature magazine begins by the program’s interface, which is “clear and intuitive”. About the automatic panorama detection, “it is amusing to note that the program often finds more stitchings that what you excpect”.

The conclusion of the test of color and exposure correction cannot be clearer: “the software’s capabilities in this field are totally impressive”! Performances in exposure correction “can be built on to perform HDR stitching (high dynamic range images)”.

The test of stitching images of different focal distances was quite advanced, since Autopano Pro could even “stitch a photo shot with a 15mm fisheye with a photo shot with a 35mm!”

Finally, no matter if the photos are shot vertically, horizontally or slanting, “Autopano Pro reorders all photos and gives the best possible stitching”.

The article concludes: “this program is the best pick! Simple and powerful, it puts panoramic photography at everybody’s reach, and enables even wider applications. A must-have!

This 13th issue of Image & Nature magazine also dedicated a test to the new Canon EOS-1 Mark III reflex camera. This magazine is currently being sold in French stores and on http://www.image-nature.com.

A 10-page article is dedicated to panoramic photography in the 34th issue of French magazine Declic Photo (nov. 2007), including 4 pages dedicated to photo stitching.

After listing the hardware that can be used in the professional panoramic photography, the article deals with the stitching process itself, and focuses on Autopano Pro:
“No need to beat around the bush, the best quality/simplicity/price ratio is hold by Autopano Pro, an amazing French software that automatically detects the photos to be stitched. (…) The advantage of a software like Autopano Pro is that he does not only stitches your images: it corrects the stitching defects, modifies the views’ exposure to make them homogenous, adapts the images tones, handles most of file formats, and can manage a large number of images to stitch.”

This article, written by Denis Boyard, is illustrated with panoramic photographs by Bertrand Bodin, to whom the magazine dedicates an interview:

“After having tested several perfectible solutions, I adopted the program Autopano Pro, developed by Alexandre Jenny, mathematician in Chambery (France). This software detects and stitches my photos with a stupefying speed and an incredible easiness, all this without any montage defect in most cases. While I used to need seven hours of work in Photoshop to stitch a panorama manually (it was the only available method when I started out), now it only takes me a few minutes to manage it! The whole thing does not need particular attention, since you only need a few clicks to perform a series of stitched images in an image folder. I can even launch a rendering and go and do something else when in the case of a very large format.”

Bertrand Bodin has just published his new book dedicated to the architectural work of Vauban, architect and urban planner of Louis XIV (Vauban les Sites Majeurs, available from Libris). The book is illustrated with numbers of panoramas by the photographer, and the texts are from Nicolas Faucherre, archeologist and historian. We will dedicate a further article to this book’s release.

Young photographer Renan Astier, with Alain Laurenceau and François Jannin, performed for the French National Assembly a panoramic view intended for the media. The 110 x 70 cm photo has also been offered to the 577 MPs.

The shots were taken with 3 Canon EOS 5D digital reflex cameras, each one equipped with a 16-35 mm lens, then a 14 mm one. Afterwards, the pictures were stitched with Autopano Pro, ‘a French software that works very well’, explains French magazine Réponses Photo, which dedicates a 4-page article to this stitching in its January 2008 issue (n°190).

‘It is a photo for History’, pursues the magazine, a photo that required however a huge organization: all MPs had to be there (the shots were taken on the day of a major governmental speech), protocol had to be respected (a photographer cannot stand behind the Assembly president, hence a distant trigger was set up), and exposure variations due to the clouds had to be corrected (the Palais Bourbon, which hosts the Assembly, is covered with a big sun lounge).

A prestigious picture for Autopano Pro!